The action set-pieces are so well choreographedthat I understand and see everything. You don'tneed to do split-second cuts and shake the camera to make the audiencefeel in-the-moment. I think Paul Greengrasswho made Jason Bourne needs to study the cinematography here.
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Because thatwould rob the movie of its relentless momentum. Yaya ya, I know the movie never delves too deep into them. Love the subtext of class and government hypocrisy, classdivision, vileness of human nature and the dreaded herd mentality. Thecharacter arc of the main actor from narcissistic anti-hero to titularhero is very potent and what injects the narrative with much forwardpower. The momentum is terrific and I kept marvelingat all creative problem-solving some I have never seen before. Putting 80% of the action on a bullet train didn't constraint thewealth of inventive ideas one bit as the commuters escape the crazyzombies from car to car. This train is loaded with some colorfulcharacters. The fun is in seeing which one will diefirst and who will live. So we already know the archetypalcharacters - the coward, the brave one, the pregnant one, the youth inlove, the heroic one and so on. This is a straight-up disaster flick with zombies comingin swarms from all directions.
No need for too much heavy top-downmoralization. I love the creative ideas and theeconomical character setups.